Paranoid amp settings — Orange Crush pro 60
The Black sabath guitar tone for “Paranoid”, dialed in for a Orange Crush pro 60 with a Yamaha Revstar RSS20. Studio version, Paranoid album (1970)
Gibson SG Standard → Dallas Rangemaster treble booster → Laney LA100BL with presence/mid/treble maxed, bass at 0
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 3 |
| Mid | 8 |
| Treble | 7 |
| Reverb | 0 |
| Master | 6 |
01Treble Booster or TS-style Overdrive (e.g., TC Electronic Spark Booster, Ibanez TS9, or EHX Soul Food)
RECOMMENDED — not currently owned. The Rangemaster is essential to Iommi's tone on this record; without it you lose the compressed upper-mid bite. A treble booster clone (like the BSM RM or TC Spark set bright) is ideal, but a TS9 with low drive and high tone gets you 75% there. Run into the amp's dirty channel.
The Orange Crush Pro is warmer and more compressed in the low-mids than Iommi's Laney, so bass is dropped from his 0 to a still-conservative 3 to prevent mud. Mid pushed to 8 (vs his maxed 10) because the Orange is already mid-forward. Treble at 7 compensates for the Orange's darker voicing vs the bright Laney. Without the Rangemaster booster, you will lack the signature compressed snarl — the amp alone cannot replicate it.
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These settings are for a Orange Crush pro 60. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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