Tone library / Black sabath / Paraniod

Paraniod amp settings — Bugera Vintage 15 infinium

The Black sabath guitar tone for “Paraniod”, dialed in for a Bugera Vintage 15 infinium with a Gibson SG Special. Studio version, Paranoid album (1970)

Original rig

Laney Supergroup head with Dallas Rangemaster Treble Booster, Gibson SG Special with P-90-style pickups, tuned down 1/2 step to Eb

Grinding, mid-forward fuzzy crunch with trebly bite and aggressive attack—not heavily distorted, more raw and gnarly
Amp settings — Bugera Vintage 15 infinium
CHANNELGain channel (use Bright input)BRIGHTon
GAIN 6 BASS 4 MID 7 TREBLE 6 PRESENCE 6 REVERB 0 MASTER 5
KnobSetting (0–10)
Gain6
Bass4
Mid7
Treble6
Presence6
Reverb0
Master5
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01Treble Booster (e.g., TC Electronic Spark Mini, EHX LPB-1, or any clean boost)

RECOMMENDED — not currently owned. A treble booster or clean boost into the front of the Bugera is essential to replicate the Rangemaster-into-Laney sound. Without it, crank gain to 7-8 and treble to 7.

Level/Boost 7
Why these settings

Your Bugera V22 Infinium is EL84-based with a British-voiced midrange, which actually gets you closer to Iommi's Laney than a Fender or Marshall would. The Bright input pushes the treble frequencies the Rangemaster originally boosted. Without a treble booster pedal, you'll need to push gain and treble higher to compensate for the missing front-end push. Keep bass conservative—Iommi's tone was tight, not boomy.

PRO TIPTune down 1/2 step to Eb standard to match the actual recording pitch. Iommi's attack was aggressive and percussive—dig in hard with the pick near the bridge, and let the notes decay naturally rather than using sustain. The riff lives in the muted spaces between the power chords.

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These settings are for a Bugera Vintage 15 infinium. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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