Name In Blood amp settings — WA mini 50w N/a
The Black Label Society guitar tone for “Name In Blood”, dialed in for a WA mini 50w N/a with a Schecter C-1 Hellraiser. Studio version, 1919 Eternal (2002)
Marshall JCM800 or Mesa Rectifier, Gibson Les Paul Custom with EMG 81/85, Boss SD-1 or Tube Screamer as boost, MXR Phase 90
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 6 |
| Mid | 7 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 0 |
| Master | 5 |
01Wah (parked or off)
Off for this rhythm tone; Zakk uses wah for leads only
02Phase (MXR Phase 90 style)
Off for main riff; engage for verse swells if desired
03Overdrive (as boost into amp)
Low gain, high level — tightens low-end and pushes amp harder; this is critical to Zakk's tone
04Chorus
Off for this rhythm tone; Zakk uses chorus on clean passages only
Your Schecter C-1 Hellraiser with EMG 81/85 is a direct match to Zakk's pickup setup — no compensation needed there. The WA mini 50w is a lower-wattage solid-state amp, so push gain to 8 to compensate for the lack of tube saturation. Your overdrive pedal is essential here: run it as a clean boost (low drive, high level) to tighten the low-end and add harmonic content that the amp alone cannot produce. Keep reverb at 0 — this tone is bone dry.
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These settings are for a WA mini 50w N/a. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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