Turning Point amp settings — Orange Super Crush 100
The Billy Club Sandwich guitar tone for “Turning Point”, dialed in for a Orange Super Crush 100 with a Ibanez RGIB21-BK. Studio version, The Usual Suspects (2008)
Likely Mesa Dual Rectifier or Marshall JCM800, humbucker-equipped guitar (EMG or passive high-output), minimal pedals — NYHC typically amp-driven
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 4 |
| Mid | 6 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 0 |
| Master | 5 |
Orange amps naturally sit warmer and more compressed than a Rectifier's tight scoop. I pushed mids to 6 to get that NYHC bark the Super Crush doesn't voice as aggressively. Bass at 4 prevents the Orange's thick low-mids from getting muddy on fast palm mutes. Your RGIB21's Fishman Fluence Moderns are active and hot — gain at 7 is plenty; going higher will compress the pick attack you need for hardcore chunk.
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These settings are for a Orange Super Crush 100. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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