Unholy confessions amp settings — Harley benton B10
The Avenged sevenfold guitar tone for “Unholy confessions”, dialed in for a Harley benton B10 with a Harley benton Stratocaster. Studio version, Waking the Fallen (2003)
Gibson Les Paul Custom (bridge humbucker) → MXR MC401 Boost/Line Driver → Bogner Uberschall 120W
| Knob | Setting (0–10) |
|---|---|
| Gain | 10 |
| Bass | 8 |
| Mid | 3 |
| Treble | 7 |
| Reverb | 0 |
| Master | 5 |
The Harley Benton B10 Overdrive channel is pushed to maximum gain (10) to approximate the Uberschall's saturated preamp, but it will lack the original's tight low-end definition and compressed sustain. Bass is boosted to 8 to compensate for single-coil thinness vs the Les Paul's humbuckers. Mids are scooped to 3 to match the Bogner's naturally mid-scooped voicing. Treble at 7 maintains string clarity without single-coil ice-pick harshness. No presence control exists on the B10. The recording is bone-dry, so reverb is 0.
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