Unholy Confessions amp settings — Boss Katana 100 MkII
The Avenged Sevenfold guitar tone for “Unholy Confessions”, dialed in for a Boss Katana 100 MkII with a Squier Squier mini strat. Studio version, Waking the Fallen (2003)
Gibson Les Paul Custom (bridge humbucker) → MXR MC401 Boost/Line Driver → Bogner Uberschall 120W head
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 4 |
| Mid | 3 |
| Treble | 7 |
| Presence | 6 |
| Reverb | 0 |
| Master | 7 |
01Katana Booster (internal effect)
Use the 'Clean Boost' or 'Treble Boost' type to replicate the MXR MC401 tightening effect; place before amp gain stage
Your Squier Mini Strat's single coils have significantly lower output and brighter voicing than Gates' Les Paul humbuckers—gain is pushed to 8 (vs ~7 on the original) to compensate for the weaker signal, and treble is pulled back slightly to avoid ice-pick harshness. The Katana's Brown channel approximates the Uberschall's tight, modern high-gain voice; the internal Booster replaces the MXR MC401's role of tightening the low end and pushing the front end harder.
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These settings are for a Boss Katana 100 MkII. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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