So far away amp settings — Diezel Herbert
The Avenged sevenfold guitar tone for “So far away”, dialed in for a Diezel Herbert with a Yamaha Pacifica 112V. Studio version, Nightmare (2010) — Iconic outro and bridge lead tone
Schecter Synyster Custom (Seymour Duncan Invader) into Bogner Uberschall and Mesa Dual Rectifier with Boss DD-3 delay in studio FX loop
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 5 |
| Mid | 7 |
| Treble | 6 |
| Presence | 5 |
| Master | 4 |
01Digital Delay (Boss DD-3 / DD-7 style)
RECOMMENDED — not currently owned (run in FX loop for 450ms quarter-note lead trails)
02Hall Reverb
RECOMMENDED — not currently owned (run in FX loop to recreate studio spatial depth)
The Diezel Herbert Channel 3 has massive low-end authority and aggressive gain structure that readily captures Synyster Gates' saturated lead voice. Keep the Mid Cut feature turned off and mid EQ at 7 so the tone cuts like a Bogner rather than scooping out; the Pacifica bridge humbucker has less output than Syn's high-output Seymour Duncan Invader, so gain is set to 7 to compensate for sustain.
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These settings are for a Diezel Herbert. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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