So Far Away amp settings — Boss Katana 50 MkII
The Avenged Sevenfold guitar tone for “So Far Away”, dialed in for a Boss Katana 50 MkII with a Gibson Les Paul Modern. Studio version, Nightmare (2010) — Main outro and bridge lead solo
Schecter Synyster Custom (Seymour Duncan Invader) into Bogner Uberschall and Mesa Dual Rectifier with Boss DD-3 delay in studio FX loop
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 5 |
| Mid | 7 |
| Treble | 5 |
| Reverb | 3 |
| Master | 5 |
01Onboard Booster
Engage the onboard BOOSTER section set to a warm mid-hump overdrive to tighten the low end and add sustain
02Onboard Delay
Quarter-note digital delay tailored to mimic Synyster Gates's studio Boss DD-3 lead repeats
The Gibson Les Paul Modern's humbuckers provide ample output, but rolling the tone knob slightly to 8 tames any harsh high frequencies to replicate the fat, dark top end of Synyster's Duncan Invaders. The Katana's BROWN amp type delivers the tight saturation needed, while boosting the mids to 7 cuts through smoothly without sounding brittle. Because the Katana 50 MkII lacks an external FX loop, all ambience is handled via the onboard delay and reverb sections. Clean acoustic intro: switch to ACOUSTIC amp type, turn Booster off.
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These settings are for a Boss Katana 50 MkII. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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