Nightmare amp settings — Ibanez Ibz10g v2
The Avenged Sevenfold guitar tone for “Nightmare”, dialed in for a Ibanez Ibz10g v2 with a Fender American Professional II Stratocaster. Studio version, Nightmare album (2010) — lead/solo sections
Schecter Synyster Gates Custom-S (Seymour Duncan SH-8 Invader bridge humbucker) → MXR MC401 Boost → Visual Sound H2O Chorus/Delay → Bogner Uberschall 120W head
| Knob | Setting (0–10) |
|---|---|
| Gain | 10 |
| Bass | 4 |
| Mid | 7 |
| Treble | 6 |
| Presence | 0 |
| Reverb | 0 |
| Master | 6 |
01Tank G Distortion
Essential — the Ibz10g cannot produce high-gain saturation alone. The Tank G must do the heavy lifting for Uberschall-level gain. Set distortion high but keep tone centered to avoid fizz with single coils.
The original uses hot humbuckers (Invaders) into a 120W high-gain tube head — your Strat's single coils are bright and low-output, and the Ibz10g is a 10W solid-state practice amp with no high-gain voicing. The Tank G pedal is mandatory to generate the saturation. Amp gain maxed provides a platform for the pedal; mid pushed to 7 compensates for the Fender-style scoop and single-coil thinness; bass cut to 4 prevents mud; treble at 6 and tone knob rolled to 7 tames the Strat's ice-pick highs. This rig cannot fully replicate Uberschall compression and harmonic richness, but this gets the closest approximation.
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These settings are for a Ibanez Ibz10g v2. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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