Tone library / Avenged Sevenfold / Nightmare

Nightmare amp settings — Boss Katana 50 MkII

The Avenged Sevenfold guitar tone for “Nightmare”, dialed in for a Boss Katana 50 MkII with a ESP LTD EC-256. Studio version, Nightmare album (2010)

Original rig

Bogner Uberschall 120W (Synyster Gates) / Marshall JCM800 (Zacky Vengeance), Schecter Synyster Gates Custom-S with Seymour Duncan SH-8 Invader (bridge), MXR MC401 Boost/Line Driver

Tight, aggressive high-gain metal with balanced mids, controlled low-end, and biting presence
Amp settings — Boss Katana 50 MkII
CHANNELBrown amp typeBRIGHToffBOOSTon
GAIN 7 BASS 5 MID 7 TREBLE 6 PRESENCE 5 REVERB 0 MASTER 4
KnobSetting (0–10)
Gain7
Bass5
Mid7
Treble6
Presence5
Reverb0
Master4
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Guitar
PICKUPbridge TONE8 VOLUME10
Why these settings

The Katana's Brown channel emulates a hot-rodded British stack, getting you closest to the Uberschall's tight saturation. Gain is pulled back from the original's 8-9 because your EC-256's humbuckers already run hot and the Brown channel saturates quickly — going higher creates mud. Mids pushed to 7 to compensate for the Katana's slightly scooped Brown voicing versus the Uberschall's naturally dense midrange. Bass dropped to 5 to keep the low-end tight on a 1x12 speaker.

PRO TIPUse the Katana's built-in Booster effect (set to Clean, level at +3dB) before the amp block in Tone Studio to replicate the MXR Boost pushing the front end — this adds pick attack and tightens the low frequencies without increasing gain.

Get this tone on your amp

These settings are for a Boss Katana 50 MkII. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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Boss Katana 50 MkII settingsALL SONGS FOR THIS AMP Nightmare on other ampsSAME SONG, YOUR AMP Avenged Sevenfold tonesALL SONGS Avenged Sevenfold on the Boss Katana 50 MkIISAME ARTIST, SAME AMP ESP LTD EC-256 tonesSAME GUITAR Tone libraryEVERYTHING

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