Nightmare amp settings — Boss Katana 50 MkII
The Avenged Sevenfold guitar tone for “Nightmare”, dialed in for a Boss Katana 50 MkII with a ESP LTD EC-256. Studio version, Nightmare album (2010)
Bogner Uberschall 120W (Synyster Gates) / Marshall JCM800 (Zacky Vengeance), Schecter Synyster Gates Custom-S with Seymour Duncan SH-8 Invader (bridge), MXR MC401 Boost/Line Driver
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 5 |
| Mid | 7 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 0 |
| Master | 4 |
The Katana's Brown channel emulates a hot-rodded British stack, getting you closest to the Uberschall's tight saturation. Gain is pulled back from the original's 8-9 because your EC-256's humbuckers already run hot and the Brown channel saturates quickly — going higher creates mud. Mids pushed to 7 to compensate for the Katana's slightly scooped Brown voicing versus the Uberschall's naturally dense midrange. Bass dropped to 5 to keep the low-end tight on a 1x12 speaker.
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These settings are for a Boss Katana 50 MkII. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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