Hail to the King amp settings — Randall RG75 G2
The Avenged Sevenfold guitar tone for “Hail to the King”, dialed in for a Randall RG75 G2 with a Ibanez GIO GRG170DX. Studio version, Hail to the King album (2013)
Schecter Hellwin Stage 100 (EL34, high-gain channel) + Schecter Synyster Gates Custom-S with Seymour Duncan Invader (bridge) + Fractal Axe-Fx II for effects
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 5 |
| Mid | 7 |
| Treble | 6 |
| Presence | 6 |
| Reverb | 0 |
| Master | 5 |
Your Randall RG75 G2 is a solid state amp with a tighter, more aggressive voicing than the Hellwin's EL34 warmth. I pushed mids to 7 (vs the original's ~6.8) to compensate for the Randall's inherently scooped character. Your Ibanez GIO has ceramic humbuckers with lower output than the Invader, so gain stays at 8 to achieve similar saturation. The recording is dry — no reverb.
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These settings are for a Randall RG75 G2. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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