Hail to the King amp settings — Mighty 20 mk2 20 mk2
The Avenged Sevenfold guitar tone for “Hail to the King”, dialed in for a Mighty 20 mk2 20 mk2 with a Ibanez GIO GRG170DX. Studio album cut, Hail to the King (2013)
Schecter Synyster Custom (Seymour Duncan Invader bridge pickup) into Schecter Hellwin USA 100W Head (Lead channel) with Fractal Axe-Fx II processing in loop
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 6 |
| Mid | 7 |
| Treble | 7 |
| Reverb | 2 |
| Master | 5 |
01Gate / Noise Suppressor
Built-in NUX Mighty noise gate block to keep high-gain staccato riffs tight
The NUX Mighty 20 MKII utilizes a digital high-gain lead voice; setting gain to 7 delivers the punchy compression of Synyster's Hellwin amp without fizz. Your Ibanez GIO's Infinity R bridge humbucker is slightly lower output than Synyster's high-output Seymour Duncan Invader, so pushing the midrange to 7 maintains the necessary low-mid punch and harmonic bite. The physical faceplate lacks a presence control, so top-end presence is compensated via treble at 7.
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These settings are for a Mighty 20 mk2 20 mk2. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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