Beast and the harlot amp settings — NUX MG-300
The Avenged Sevenfold guitar tone for “Beast and the harlot”, dialed in for a NUX MG-300 with a Ibanez Jem jr. Studio version, City of Evil (2005)
Bogner Uberschall (120W, EL34) blended with custom Bogner 'Caveman' prototype, Schecter C-1 FR with Seymour Duncan SH-8 Invader (bridge), Boss CS-3 Compression Sustainer, Boss SD-1 Overdrive, Visual Sound H2O Chorus & Echo
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 4 |
| Mid | 5 |
| Treble | 7 |
| Presence | 6 |
| Reverb | 0 |
| Master | 7 |
01NUX MG-300 Noise Gate block
Enable noise gate block — essential for drop D high-gain to kill string noise between chugs
02NUX MG-300 Compressor block (Dyna Comp style)
Gates uses Boss CS-3 as his 'secret weapon' for dynamics and lead boost — enable compressor block before amp
03NUX MG-300 Tube Screamer block
SD-1/TS-style as a tight boost into the high-gain model — low drive, level at unity or slightly above to push the amp and tighten low-end
The Uberschall is renowned for massive bass that needs cutting — the MG-300's modeling amps don't have that same low-end bloom, so bass stays moderate at 4 rather than the extreme cut needed on the real amp. Your Jem Jr's DiMarzio humbuckers are slightly hotter and brighter than Invaders, so gain at 7 reaches similar saturation without mud. Mid at 5 keeps the aggressive bark without fully scooping — the original has more mids than people assume.
Get this tone on your amp
These settings are for a NUX MG-300. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
Get ToneAdapt on Google PlaySong, artist and gear names are used to identify the tone being matched; ToneAdapt is not affiliated with or endorsed by the artists or manufacturers mentioned. Settings are AI-generated starting points — trust your ears.