Tone library / Arch enemy / War eternal

War eternal amp settings — EVH 5150III 100W

The Arch enemy guitar tone for “War eternal”, dialed in for a EVH 5150III 100W with a Gibson Les Paul Modern. Studio version, War Eternal album (2014), recorded at Studio Fredman with multiple amp combinations

Original rig

Peavey 5150/ENGL Savage 120 hybrid setup, ESP Ninja with high-output humbuckers, Dunlop Wah (parked as filter)

Tight, aggressive high-gain with forward mids, controlled low-end, and cutting presence for melodic death metal clarity
Amp settings — EVH 5150III 100W
CHANNELGreen (Crunch) or Blue (Lead) ChannelBRIGHToffBOOSToff
GAIN 7 BASS 5 MID 6 TREBLE 6 PRESENCE 5 REVERB 0 MASTER 5
KnobSetting (0–10)
Gain7
Bass5
Mid6
Treble6
Presence5
Reverb0
Master5
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Guitar
PICKUPbridge TONE8 VOLUME10
Why these settings

Your EVH 5150III is the direct descendant of the Peavey 5150 Amott used for over a decade — this is as close to source-accurate as it gets. The 5150III has slightly more gain on tap and tighter low end than the original, so gain is set at 7 rather than the 7-9 range documented for the original 5150. Your Les Paul Modern's humbuckers are warmer than the ESP Ninja's hot ceramic pickups, so backing tone knob to 8 compensates for the Gibson's thicker voicing.

PRO TIPAmott uses a 'parked wah' technique — a wah pedal left at 30-40% of its sweep as a static midrange filter. Without a wah, you can approximate this by boosting your amp's mid control to 7 and rolling your tone knob down to 7, which adds a similar nasal, forward quality that makes melodic leads cut through.

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These settings are for a EVH 5150III 100W. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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