On your way sweet soul amp settings — Boss Katana 50 MkII
The Andy timmons guitar tone for “On your way sweet soul”, dialed in for a Boss Katana 50 MkII with a Ibanez GIO GRG170DX. Studio version, Theme From A Perfect World (2016)
Mesa/Boogie Lone Star (clean channel, EQ flat/noon, bass slightly subdued), 1960s Hardtail Stratocaster neck pickup, Xotic BB Preamp or JHS AT+ for lead gain, stereo delay/reverb
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 4 |
| Mid | 6 |
| Treble | 5 |
| Presence | 4 |
| Reverb | 3 |
| Master | 7 |
01Boss GX-100 — Overdrive block (BB Preamp / Xotic-style)
Use a transparent OD model (Blues Driver, BB Preamp, or Tube Screamer with low drive). This is your lead boost — engage for sustain, disengage for cleaner passages
02Boss GX-100 — Delay block (analog or tape style)
Moderate ~350-400ms delay, sits behind the notes without overwhelming. Timmons uses stereo delay live — mono works fine here
03Boss GX-100 — Reverb block (hall or plate)
Lush but not washy — supports the vocal sustain without drowning the note definition
The Lone Star's warm, Fender-inspired clean with subdued bass translates to Katana's Crunch type at low gain — this gives that tube sag and touch response. Your GIO's ceramic humbuckers are hotter and darker than Timmons' vintage Strat single coils, so I raised mid +1 and cut bass -1 to compensate for the thicker voicing. Tone knob at 7 (not 10) rolls off some of the humbucker's harshness to approach that Strat neck sweetness.
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These settings are for a Boss Katana 50 MkII. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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