Tone library / AC/dc / Touch to much

Touch to much amp settings — Harley Benton HB-80R Celestion

The AC/dc guitar tone for “Touch to much”, dialed in for a Harley Benton HB-80R Celestion with a Epiphone Les Paul Standard 50s. Studio version, Highway to Hell (1979)

Original rig

Late 60s Gibson SG Standard (PAF / T-Top humbuckers) -> Schaffer-Vega Diversity System (SVDS preamp boost) -> 100W Marshall Super Lead 1959 Plexi -> Marshall 4x12 (Celestion G12M Greenbacks)

Organic, mid-forward classic rock crunch with tight low-end and bite
Amp settings — Harley Benton HB-80R Celestion
CHANNELChannel 2 (Overdrive)
GAIN 6 BASS 5 MID 7 TREBLE 7 REVERB 2 MASTER 6
KnobSetting (0–10)
Gain6
Bass5
Mid7
Treble7
Reverb2
Master6
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Clean Boost / Preamp (e.g. SoloDallas The Schaffer Replica or TC Spark Mini)

RECOMMENDED — not currently owned

Level 7 · Gain 2
Why these settings

The HB-80R is voiced with modern solid-state crunch, so run Channel 2 with gain at 6 to simulate the natural power amp saturation of Angus's cranked Marshall Plexi without getting overly compressed. Push the mids to 7 and treble to 7 to replicate the cutting upper-mid bite of the Celestion Greenbacks and bridge humbucker while keeping bass tight at 5. If you acquire a transparent boost or SVDS-style preamp pedal later, use it in front of the amp to push the front-end harder for authentic dynamic bite.

PRO TIPAngus Young attacks the strings exceptionally hard using heavy picks close to the bridge; dig in with rigid pick dynamics to force the amp's solid-state front end to replicate that explosive Plexi crunch on open chord stabs.

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These settings are for a Harley Benton HB-80R Celestion. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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