Thunderstruck amp settings — Friedman BE-100 Deluxe
The AC/DC guitar tone for “Thunderstruck”, dialed in for a Friedman BE-100 Deluxe with a Fender Player Stratocaster. Studio version, The Razors Edge (1990)
Gibson SG Standard (bridge humbucker) → Marshall 1959SLP Plexi Super Lead (Gain 7, Bass 5, Mid 7, Treble 7, Presence 6, cranked to power amp breakup)
| Knob | Setting (0–10) |
|---|---|
| Gain | 5 |
| Bass | 4 |
| Mid | 7 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 0 |
| Master | 7 |
The Friedman BE-100 is hotter and more saturated than a Plexi, so gain drops from 7 to 5 to avoid over-compression. Your Strat's single-coil bridge is brighter and lower-output than the SG's humbucker — treble reduced from 7 to 6 and presence from 6 to 5 to prevent ice-pick highs, while mid stays at 7 to compensate for the Strat's thinner midrange. Use the BE channel, not HBE, for the cleaner breakup character.
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These settings are for a Friedman BE-100 Deluxe. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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