Back In Black amp settings — laney Laney LX10
The AC/DC guitar tone for “Back In Black”, dialed in for a laney Laney LX10 with a yamaha yamaha pacifica 012. Studio version, Back In Black album (1980), Compass Point Studios, produced by Mutt Lange
1968/1971 Gibson SG Standard (bridge humbucker) → Schaffer Vega Diversity System wireless → Marshall 1959 Super Lead Plexi 100W cranked, 4x12 cab with G12-65 speakers
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 4 |
| Mid | 7 |
| Treble | 5 |
| Presence | 0 |
| Reverb | 0 |
| Master | 8 |
01Overdrive pedal (RECOMMENDED — not currently owned)
RECOMMENDED — not owned. A Boss SD-1 or Tube Screamer clone will add the harmonic saturation and midrange push the LX10 cannot produce on its own. This compensates for the amp's limited gain structure and solid-state voicing.
The Laney LX10 is a small solid-state practice amp with a scooped, fizzy voicing — the opposite of a cranked Plexi's warm, compressed midrange bark. I pushed mids to 7 and pulled treble to 5 to counteract the LX10's harsh highs and weak mids. Bass dropped to 4 because the LX10 gets muddy fast in a small speaker. Without an overdrive pedal, you will not achieve the harmonic richness of Angus's tone — the amp's gain channel produces fizz, not singing breakup.
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These settings are for a laney Laney LX10. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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