Back in black amp settings — Harley Benton 20R 20w
The AC/DC guitar tone for “Back in black”, dialed in for a Harley Benton 20R 20w with a Harley RX 10 V. Studio version, Back in Black album (1980)
1970/71 Gibson SG Standard (bridge T-Top humbucker) → Schaffer-Vega Diversity System (wireless/compressor/boost) → 1970s Marshall 1959 Super Lead 100W cranked to 10, Marshall 4x12 with Celestion G12-65 speakers
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 4 |
| Mid | 7 |
| Treble | 5 |
| Presence | 0 |
| Reverb | 0 |
| Master | 6 |
01Nux Brownie Distortion
The Brownie is based on a cranked Marshall tone — this IS your gain source. Keep gain moderate; AC/DC's distortion is lighter than most assume. The amp stays clean to let the pedal define the crunch.
Your Harley Benton 20R is a solid-state practice amp with scooped, Fender-ish voicing — it won't produce natural Marshall breakup. The Nux Brownie becomes your entire gain stage; amp gain stays at 2 to avoid stacking mud. Mid pushed to 7 compensates for the amp's natural mid-scoop versus the original Plexi's mid-forward bark. Guitar volume at 6 replicates Angus's rhythm technique — he backed off volume for rhythm parts, hitting 10 only for solos.
Get this tone on your amp
These settings are for a Harley Benton 20R 20w. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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